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    "prose": "The second and final part of the Netflix adaptation of 'One Hundred Years of Solitude' is now available, presenting new generations of the Buendía family and the transformation of Macondo based on the work of Gabriel García Márquez. [^1]\n\nAndrea Espinal, VFX supervisor of the second season and Head of Studio at Folks Bogotá, stated that the team's work was more diverse, involving digital animals and complex simulations that served the story. [^2]\n\nThe Colombian studio Folks returned to participate in the production of the second season, expanding its work to include digital animals, fire and water simulations, and extended environments. [^3]\n\nFolks, the VFX studio based in Bogotá, Colombia, significantly expanded its participation in the second season compared to the first, handling more diverse technical and artistic sequences. [^4]\n\nThe first season of the series achieved 3.6 million views in its first week and ranked third in the global Top 10 for non-English series on Netflix. [^5]\n\nMandy Andritsi, producer of Folks VFX, stated that the project allowed the team to serve a story that belongs to their culture and generated pride because part of Macondo was built in Bogotá by artists who understand the story's universe. [^6]",
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      "statement": "The second and final part of the Netflix adaptation of 'One Hundred Years of Solitude' is now available, presenting new generations of the Buendía family and the transformation of Macondo based on the work of Gabriel García Márquez.",
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